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Cinema Omnivore
A story, two disparate approaches. Russian composer Pyotr Ilyich Tchaikovsky (1840-1893) is a household name today, but apparently his personal life was quite a scandal thanks to his closeted homosexuality.
The fascinating recount about his lavender marriage (avant la lettre) with Antonina Miliukova (1948-1917) is the subject of the two films, made half a century apart.
THE MUSIC LOVERS is one of Russell’s biopics about classical composers, hot on the heels of his breakout with WOMEN IN LOVE (1969).
Antonina miliukova biography of christopher
Chamberlain’s Tchaikovsky is handsome, delicate, but over a barrel, exceedingly tormented by anguish and guilt of his sexuality. His elation can only be glanced in the passing merrymaking with his lover Count Anton Chiluvsky (Gable) in the opening festivity (invoking “Hunter in the Snow” by Pieter Bruegel the Elder), or later, when his star is rising and his works gain traction (where Russell’s grandiose creativity juice is flowing most plentifully.
“Cannonballs